From pop comebacks to international acts finding crossover success to gorgeous ballads and irresistible dancefloor bait, was quite the year. Here are the songs we couldn't stop playing this year. Think the vulnerable voice of Nina Simone waxing poetic about the ills of millennial dating. Following in the footsteps of international kings like Burna Boy and WizKid, Rema's crisp, charming vocals float over a bouncy rhythm that blends Afropop and hip-hop to create three minutes and 15 seconds of sheer joy. Sex sells, but Rapsody has never been one to conform to hip-hop's misogynistic views of women. Angel Olsen's lush, throaty voice connects with an eerie, '80s-leaning production to create a musical masterpiece. One of the most ubiquitous songs of came from pop's newest power couple. Hate it or love it, Shawn and Camila make magic together.
Songs by Lewis Capaldi, Lil Nas X and Billie Eilish were among the biggest of 2019.
Stars of ten years ago, like the Jonas Brothers and Lady Gaga, have been rubbing elbows not only with modern-day marquee names like Ariana Grande and Post Malone, but with breakout artists like Billie Eilish and Lil Nas X, who may end up setting the pace for pop's next decade. It's all combined to make this final year of the s one of the least-predictable pre-summer seasons we've had in a long time. Check out our 50 favorites from so far below.
The past and the future combined in , a year of satisfying comebacks from veteran artists and exciting breakouts from newer ones. Read the list below, with a Spotify playlist of all at the bottom. An unlikely combination of three very different alt-leaning acts, "I've Been Waiting" is far more seamless than it has any right to be, finding common ground in the artists' shared pop sensibilities. As it toggles between vocals from all three, it's impossible to tell where the verses stop and the chorus starts -- it's all hooks, really, a song where every part feels like That Part. In a more just world , this would've been the song to get the late Lil Peep his first Hot top 40 hit. Now please, get off his lawn. There are a lot of "what ifs" when a relationship ends, but the title of Lady Antebellum's latest heart-wrenching hit has to be one of the scariest. The song -- which recalls the same yearning tone as the country trio's breakout single "Need You Now" -- perfectly captures that fear of the unknown, thanks to Hillary Scott and Charles Kelley's hopeless harmonies. We all know the desperate feeling of struggling to move on, and we all should know there's a light at the end of the tunnel eventually
The fact that The Highwomen even exists is impressive. They make that statement over an unabashedly pretty melody, going in and out of duets and harmonies with seamless, generous sweetness. Carly Rae Jepsen has built a cult following on the power of her brand of pure, heart-on-your-sleeve pop. Her widely-praised third album was even nakedly called Emotion. Bandana , the widely acclaimed album from rapper Freddie Gibbs and producer Madlib, was forged in trying circumstances: Gibbs says he wrote most of the record in an Austrian jail while awaiting his eventual acquittal from sexual assault charges. And that something is a propulsive, infectious disco sensibility. With a retro-sounding melody that resonates across generational tastes, the song has already become a dancefloor mainstay.